Monday, 27 April 2009

Tea Culture in China


Tea is as much an indispensable part of Chinese culture as Confucianism and plays an important role in the daily life of the Chinese people. In modern day China, tea is not a product solely for the bourgeoisie upper class, a flask of green tea can be seen carried by every factory worker and labourer.

According to legend, around 2737BC, Shen Nong, legendary Chinese emperor and founder of agriculture and medicine, was said to have been sitting under a tree drinking boiling water when a leave fell into his cup. He saw the water change colour and tasted it, being surprised by the pleasant flavour it produced. Another legend involves the founder of Zen Buddhism, Bodhidharma (Chinese: Puti Damo 菩提达摩), who meditated for 9 years facing a cave wall and then fell asleep. Angered by his laziness, he cut off his eyelids and where they fell to the ground, tea plants grew.
The Chinese word for tea is chá (茶). In ancient Chinese it was known as tú (荼), and then changed to being called míng (茗), which it is someones still known as, particularly in Taiwan. The English word tea originated from the Fujianese/Taiwanese dialect, which pronounces the word as "tê".
In China serving someone tea can be seen as a sign of respect. In old China, during a wedding, the bride and groom would offer tea to their parents, and during the ceremony of a Kung Fu master accepting a disciple, they would offer the master tea. If he accepts it, then he accepts the student. Typically, someone of a lower status would serve the person in a superior position (boss, teacher, older person etc) tea, it wouldnt be expected the other way around. In the south of China people will tap the table with the fingers to say thank you when being served. This is because an Emperor once travelled China in disguise. He served a servant tea and he was so happy he wanted to bow, but couldnt, so he just tapped his fingers so as not to give the Emperor away.

There are 5 common types of tea sold in China. Green tea (绿茶, lu cha) , jasmine tea (茉莉花茶, molihuacha), which is green tea scented with jasmine flowers, wulong (乌龙), which is semi-fermented and makes the water go a golden colour, pu er (普洱), a strong black tea which comes from the Xishuangbanna region of southwest China, on the borders of Burma and Laos, in jungle areas and tieguanyin (铁观音), a variety of wulong which comes from Fujian and Taiwan, in the southeast of China. Green tea is the most widespread and is grown in many different areas around China, particularly the south. Some good types of tea are Long Jing (龙井), which comes from the West Lake in Hangzhou, Biluochun (碧螺春), which comes from Jiangsu and the area where I live, Qingdao, sells a lot of Laoshan (老山) tea, which is grown at the local mountain, which is a sacred taoist area. Tea is never in teabags, its always loose leaves or bricks.

In China the most common way to brew tea is using a gàibēi (蓋杯), which is a lidded cup, a small jug and a small cup. Firstly, the teaware is all rinsed with hot water to heat it up. Then, tea is put into the gaibei, and then washed quickly with hot water to remove dust and it helps prevent bitterness. Then, more hot water (around 70-80c depending on tea type-the blacker the tea, the hotter the water) poured over it and left until the tea leaves open, then it is quickly poured into a small jug, from which it is served, typically in small cups. Tea can be reused several times. Another way is called Kung Fu tea and originates in the Chaozhou region in Guangdong. It is where you put a large amount of tea into a small teapot and put hot water in for a very short time, and serve it immediately into tiny shot glass sized tea cups.

Monday, 13 April 2009

my journey so far

I was first introduced to martial arts when I was 6 years old. After watching power rangers I told my parents I wanted to learn Karate, which I did for 2 years, and then when I moved to York, I started Taekwondo, but I have forgotten most of both styles.

Then, when I was 14, I began learning Wing Chun after watching some Jackie Chan and Bruce Lee films. I studied for 3 and a half years, going to class 3 times a week and doing a private lesson once a week. I got my black sash after just less than 3 years. At that point I began to seriously doubt what I had learnt, after training with people from other Wing Chun classes and the fact that our training lacked intensity. Most classes I attended I ended up teaching in and when I did the black grading, I was disappointed how easy it was, everyone thought I was really good, but I felt like I wasnt, just that they all rushed through easy to pass gradings the same as me. Plus the Sifu, was always saying his way was the only way to do martial arts and other ways were no use etc. Feeling like I would never improve if I stayed there, and that I still had so much to learn, I quit.

Then, a big milestone came. I met my second Sifu, who has been my most influencial. An old school friend was also learning Wing Chun and invited me along to his class. This Sifu taught Foshan Wing Chun and was really active and enthusiastic in class and we did a good mix of training, making me realise how much was missing before and how much I still have to learn. We always had an intense warm up with running, push ups, stretches etc for fitness, stamina, strength and flexibility. Sifu thought it was important to build up the body, not jut learn drilled techniques. He was open minded to all styles and ideas and his art was alive and dynamic and I really enjoyed it. Still now I regard him as my Sifu and as the biggest influence in my attitude to martial arts.

Then I took 5 months out to travel China (including Tibet), Nepal and India. The first 10 weeks I volunteered in Xi'an and I met a buddhist monk there who taught me the basic stances, kicks and punches of Shaolin. Then, I went to Hong Kong and spent a few days training with Master Kwok Wan Ping of Yuen Kay San Wing Chun, who was a true master, and confirmed what my second Sifu taught me was right. He was almost 70 and still covered in muscles and his arms were like steel. I knew he could still fight. I went back the following year to train another few days with him. On both occasions he was welcoming to me and his wife cooked me dinner several times and they treated me in a nice restaurant.

Then I had several personal spiritual experiences in Tibet, Nepal and India, stayed in some buddhist monasteries, stayed with a Tibetan nomad family and other amazing experiences. I returned back to the UK to work for a while, saved money, studied Wing Chun again and finally found a job teaching English in Qingdao, China.


The first Shifu I met there was an old man who taught in a park on the university campus every morning. He didnt charge and didnt teach any particular styles, just techniques he thought were effective and theories from different styles like Mantis, Shaolin and Mizongyi. Then, I met after a couple of brief encounters with some different styles, I met a teacher who taught me the basics of Shaolin and a basic form. He was very strict and not very friendly to me, which taught me perseverance and discipline, but then it appeared he wasnt interested in me real kung fu, he just wanted to teach me loads of forms.

The third big milestone came when I met my current Shifu, who is a Taiji master I was introduced to by the dad of a girl I was tutoring English. He doesnt teach forms, but focusses on Tui Shou (push hands), Qin Na, and Zhan Zhuang (standing meditation). I really enjoy learning from him and his skill is amazing, he is 70, but I cant move him or touch him.

Lao Zi said "a journey of a thousand miles is started by taking a single step." I feel like all I have learnt so far is the first step in a life long journey towards mastery of myself; mind,body and spirit. In the classical Chinese novel Journey to the West, a buddhist monk, Xuan Zang, journeys to the Western Heaven to get scriptures from the Buddha. He is accompanied by a monkey, a pig and 2 other students. The monkey, Sun Wukong, is mischievous and violent, but intelligent and the pig, Zhu Bajie, is greedy. These 2 characters can be seen as a metaphore for aspects of the monks mind. The monkey is always causing trouble and represents the intellect, and the pig is always eating and wanting sex, and represents desire. In martial arts we strive to discipline ourselves by training our body, calming our mind and honing our spirit. It is easy to talk about this, the hard part for me is actually doing it.

This September my real journey will begin. I am going to study at a Shaolin Academy in the mountains of Kunyu Shan, Yantai, in Eastern China. Studying martial arts full time has always been my dream and will take me to a high level that I could never achieve from doing it casually.

Sunday, 15 February 2009

An Encounter With a Taoist Master of Taiji

While wondering around Qingyang temple in Chengdu, I saw a westerner sat with an old monk, who waved me over. As I got closer, I saw a sign in English and Chinese saying Taijiquan school. The westerner had signed up to a month of studying here and not speaking Chinese, it was his first day. The master spoke some basic English, and I spoke to him a little in English, before switching to Chinese, when I told him Id learnt Wing Chun and a little Chen style Taiji. When he heard that, he said Wing Chun is too hard, and that it dispersed your Qi and that internal martial arts take you to a higher level. I felt a little skeptical of him, but was respectful, especially because of people being able to sign up for a months training. But after a while, he took my inside and invited me to push hands with one of his students, a young monk. He was like water, and every time I pushed on him, he flowed round it, and I was only able to unbalance him once, but kept getting unbalanced myself most times I tried. Then the master invited me to try with him, he told me to push him in his stomach, and I felt it go solid, and then he sent me flying, with a little push from his abdomin. It was a strange feeling. I tried to push him several times, and each time he sent me flying off. I was really impressed, and exchanged contact details, so hopefully we can meet again next time I visit Sichuan. He is the head of a large association for Yang style Taiji, and has many students around the world.


Some other minority people I came across on my recent travels

The Zhuang people are native to Guangxi province in southwest China. They are Chinas largest minority and have largely incorporated Han Chinese customs, but still retain a unique language, closely related to Thai. We stayed in a village on top of the Dragons Backbone rice terraces, high up in the mountains and slept with a family there. They were very friendly, and spoke enough Mandarin to be understood. We sat in a wooden house with no chimney and got smoked out by a fire in the middle, which was cooking a hotpot of pigs liver, potatoes and rice and drank home made rice wine.




The Dong people live mostly in northern Guangxi and southern Guizhou and have unique culture and customs. We stayed in Zhaoxing, their largest village for several days for the Chinese New Year and their own Taiguanren festival the days after. Their unique Drum towers and covered bridges are places for the locals to meet and are always full of old men, smoking and drinking. Their language sounds a little like Cantonese, but has 16 tones! Their religion is the worship of different spirit animals and buddhism, but they have no temples or organisation. The Taiguanren festival was held after Chinese New Year, and saw the locals dressing up as animals, ghosts, peasants and royalty, and parading through town singing and throwing fireworks around.




The Miao people can be found all over southern China and Laos, Thailand and Vietnam, where they are known as the Hmong. They have even emigrated in large numbers to America and France. They were traditionally very rebellious to the Han Chinese, which led to their oppression. They have many different sub groups, such as the Flower Miao, Red Miao, Black Miao, Long Horn Miao etc. We stayed in a village called Basha, where the locals cling to ancient traditions, such as wearing traditional clothes, and the men still carry huge daggers or swords and shave their head, leaving just a topknot in the middle. In fact, the people in the village were all crazy, it seemed like the whole village was drunk, children included. They often sang, danced and were really rowdy, all night long. I heard they are some of the biggest drinkers in China!



The Bai people inhabit the foothills and valleys in and around Dali, in northwestern Yunnan province. They were traditionally rebellious and up until the time of Kublai Khan, had their own kingdom. They are believed to descend from the inhabitants from the Angkor Wat in Cambodia, but how they came to China, I dont know. They are well known for the artwork on the sides of their building, which are otherwise white washed. Old women in traditional clothes are often found selling hash to tourists in the streets of old Dali, although they dont smoke it themselves, just eat the seeds.

The Famous Dr Ho of Jade Dragon Mountain

While in Lijiang I had the fortune of meeting Dr Ho, a Naxi Doctor made famous by several books and documentaries, including Michael Palins Himalayas. As you walk along the otherwise typical street of the Naxi village of Baisha, just outside Lijiang, you will see a big sign saying "most admired man" and clippings of newspaper articles about this friendly, but slightly eccentric doctor.
So me and my friends walked into his clinic, and he greeted us in perfect English, then led us outside to sit in the sun, drink his home made herbal tea, and read articles about his fame. He lived a hard life and was poor and sick, during the political instability of 1950s and 60s China. So he taught himself herbal medicine, healed himself, and then began healing other villagers for free. He had learnt English from Dr Joseph Rock, a famous botanist, who lived in the area in the 1930s. Dr Ho is in his mid 80s and is in excellent health, and very happy (he says the best medicine is happiness). Despite his fame, he is humble and welcoming, and will give you a check up and prescribe some herbal medicine (which he collects from the mountains himself) for free, although for tourists, he asks a donation of what you think its worth or you can afford.
He told us about how several westerners suffering from cancer and other terminal illnesses had come tohim for treatment, and years later are still alive and stable. He showed us their medical reports, showing they refused kimotherapy to prove it.


the Naxi people of Lijiang

While recently travelling in the southwest of China, I visited the city of Lijiang and its surrounding areas. Although a really touristy place, I really fell in love with the Naxi people and their culture. They are said to have been descended from Tibetans and moved off the plateau in ancient times to settle in the fertile valleys where they live today at around 2,500m above sea level.

The Naxi were traditional a matriarchal people, which means that all inheritance, including family name, riches and land, were passed onto the female of the family. This is still practiced by the Mosuo people, who are closely related and live to the north of Lijiang, around Lugu Lake.
Their indigenous religion is a kind of mixture of animism, shamanism and ancestor worship, which is governed by the Dongba, which are the local shamans. The Dongba were traditionally the only people who could read and write the native language, which is the last remaining heiroglyphic language still in use. The common people would use Chinese. The spoken language sounds a little like Tibetan. Culturally, the Naxi have taken aspects of Tibetan and Han Chinese culture and given them their own flavour.
I found the Naxi people to be very welcoming and hospitable, and to have an interesting culture and history. If you want to read more on them, I would recommend reading "The Forgotten Kingdom: Living With The Nakhi of Likiang" by Peter Gouillart, a Russian who lived in Lijiang during the 1930s.

Friday, 19 December 2008

the philosophy of Tai Ji

In Chinese, Tai Ji (太極), is the philosophy of Yin and Yang (陰陽). Yin represents everything soft, passive, negative and he moon; while Yang represents everything hard, active, postive, bright and the sun. Tai Ji is the interplay between these two forces. In the beginning there was Wu Ji (無極), the primordial state of non-being and complete stillness, but when it was put into motion, it divided into two, Yin and Yang. These are not opposites, but rather complimentary. Everything exists because of this constant change. This is represented by the famous symbol, which is half black, half white. In the symbol, the dark side represents Yin, and contains a spot of white, which is Yang, and vice versa. This shows that there is no pure Yin or Yang, and that they are interdependant on each other. You cannot have day without also having night, you cannot experience pleasure without also experiencing pain. As Lao Zi wrote in the Dao De Jing:

"It is because everyone under Heaven recognises beauty as beauty, that the idea of ugliness exists. And equally if everyone recognised virtue as virtue, this would merely create fresh conceptions of wickdness. For truly Being and Not-being grow out of one another; difficult and easy complete one another. Long and short test one another; high and low determine one another. The sounds of instrument and voice give harmony to one another. Front and back give sequence to one another. Therefore the Sage relies on actionless activity, carries on wordless teaching, but the myriad creatures are worked upon by him; he does not disown them. He rears them, but does not lay claim to them, controls them, but does not lean upon them, achieves his aim, but does not call attention to what he does; and for the very reason that he does call attention to what he does. He is not ejected from fruition of what he has done."

This chapter of the Dao De Jing is very profound, and talks about the interplay of Yin and Yang. Lao Zi says that a wise man should be in harmony with the cycle of change in the cosmos and the same applies to martial arts. In Tai Ji Quan we never oppose the opponents force. Instead we compliment it. We are not, however, floppy and lifeless. Yin and Yang must be in harmony, so if someones attacks, we may feel very hard to them, but that is not opposing or using muscular strength. It is using the mind, and it feels like an inflated balloon. We allow the opponent to fully extend his power and ultimately use it against him - actionless activity. In the Tai Ji Quan classic written by legendary Taoist master Zhang San Feng, he says:

"You must emphasise the use of the mind in controlling the movements, rather than the mere use of the external muscles. You should follow the Tai Ji principle of opposites: when you move upward, the mind must be aware of down; when moving forward, the mind thinks of moving back; when shifting to the left side, the mind should simultaneously notice the right side-so that if the mind is going up, it is also going down."